this notion of time in relation to artist-audience interchange and reception of work, I investigated before by experimenting with time delays (MP) and laps (workshop) and aimed at enhancing artistā€™s and audienceā€™s awareness of psychological time. And also by looking at the Kanitzaā€™s model, usually adopted in 2d pieces, to be used in designing performance works. Here our brain fills in the gaps and gives meaning to an image

ā€œOur perceptual field is made up of ā€˜thingsā€™ and ā€˜spaces between thingsā€™ā€. Knowledge of the world based on sensations.
(Merleau-Ponty citation of Gestaltd Theory in ā€˜Association And The Projection Of Memories, Phenomenology Of Perception, 13-25, p 18)