this notion of time in relation to artist-audience interchange and reception of work, I investigated before by experimenting with time delays (MP) and laps (workshop) and aimed at enhancing artist’s and audience’s awareness of psychological time. And also by looking at the Kanitza’s model, usually adopted in 2d pieces, to be used in designing performance works. Here our brain fills in the gaps and gives meaning to an image

“Our perceptual field is made up of ‘things’ and ‘spaces between things’”. Knowledge of the world based on sensations.
(Merleau-Ponty citation of Gestaltd Theory in ‘Association And The Projection Of Memories, Phenomenology Of Perception, 13-25, p 18)