Collaborations

Paul Connerton

Connerton is a research associate in the Department of Social Anthropology at the University of Cambridge. His books include How Societies Remember (Cambridge University Press, 1989), How Modernity Forgets (Cambridge University Press, 2009), and The Spirit of Mourning: History, Memory and the Body (Cambridge University Press, 2011). Connerton’s first book, How Societies Remember (1989), opened the discussion of collective memory (per Maurice Halbwachs and others) to include bodily gestures, finding in clothing, manners, musical performance, and other socially negotiated practices locii where memory is “silted” (to use his verb) into human corporeal consciousness and praxis. Connerton followed up this work with How Modernity Forgets (2009), which emphasizes what Connerton calls “place memory,” or memory that is dependent upon topography and particularly upon topography as it relates to the human body. Connerton argues that modernity is characterized by a particular sort of forgetting “associated with processes that separate social life from locality and from human dimensions: superhuman speed, megacities that are so enormous as to be unmemorable, comsumerism disconnected from the labour process, the short lifespan of urban architecture, the disappearance of walkable cities

About ROCKFLUID


ROCKFLUID is awarded Grants for the Arts, Arts Council of England, within the Escalator Programme. ROCKFLUID is supported by Colchester Arts Centre, Wysing Arts Centre and the University of Cambridge, while opening up to other collaborating institutions.

Contact


ELENA COLOGNI
Studio: Wysing Arts Centre
Fox Road, Bourn, Cambridge, CB23 2TX
info@rockfluid.com
www.wysingartscentre.org

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Copyright


Copyright © 2011-2016 Elena Cologni. All rights reserved.

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